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When asked "Why in the hell would you want to do a shot-by-shot remake of Psycho in color?" He serenely replied "So no one else would have to."
"You can't copy a film. If I hold a camera, it's different than if Irving Penn holds it. Even if it's in the same place, it will magically take on his character. Which was part of the experiment. Our 'Psycho' showed that you can't really appropriate. Or you can appropriate, but it's not going to be the same thing."
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